{"id":1158,"date":"2021-08-30T08:30:38","date_gmt":"2021-08-30T06:30:38","guid":{"rendered":"https:\/\/360grad.wallraf.museum\/?page_id=1158"},"modified":"2021-10-19T13:20:43","modified_gmt":"2021-10-19T11:20:43","slug":"e2_04_20","status":"publish","type":"page","link":"https:\/\/360grad.wallraf.museum\/en\/e2_04_20\/","title":{"rendered":"Bildinfo OG2 Selbstbildnis im Kreise der Mantuaner Freunde"},"content":{"rendered":"
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Self-Portrait in a Circle of Friends at Mantua<\/h2><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1602\/1604<\/strong>\u00a0 |\u00a0 PETER PAUL RUBENS (Siegen 1577 \u2013 1640 Antwerp)<\/em><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a9 Rheinisches Bildarchiv K\u00f6ln, rba_d038880, Walz, Sabrina<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Philosophical Image of Friendship\u00a0 \u00a0<\/h3>

Rubens\u2019 first known self-portrait. Glancing over his shoulder \u2013 capturing both a lively moment and the symbolism of artistic genius \u2013 the painter invites us into a noble circle of gentlemen. The Ponte di San Giorgio leading from the centre to the background shows\nthat the location is the Palazzo Ducale in Mantua, northern Italy, where the 23 year-old painter had been called to the court of Duke\nVincenzo\nGonzaga. Sadly only two of the figures have so far been identified with certainty. On the left behind Rubens stands his brother Philip, to whom he was close. In profile on the right is their mutual teacher and mentor Justus Lipsius, a prominent philosopher from Leuven. Amidst the political and religious conflicts of the time, his neo-stoic attitude offered a non-demoninational moral and ethical code, to which Rubens also adhered throughout his life.<\/p>

Lipsius never actually went to Mantua. So Rubens is seemingly depicting a spiritual, rather than actual fellowship. This is suggested too by the eyes of the men, looking in different directions, and the sense that they are unconnected, apart from the friendly gesture of the hand on Ruben\u2019s arm. For many years it was thought that this\nfigure was the Mantuan court painter Frans Pourbus II, while others suggested the astronomer Galileo Galilei. The evening sky reflects their intellectual preoccupations. The night was considered the best time for studying and contemplation. The young Rubens depicts himself proudly among this intellectual circle. A painted friendship\nalbum?<\/p>

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Oil on canvas,\u00a0<\/strong>77.5 x 101 cm<\/b><\/p>

On loan from the German Federal Republic, 1961
WRM Dep. 248<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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