{"id":455,"date":"2020-08-26T10:37:00","date_gmt":"2020-08-26T08:37:00","guid":{"rendered":"https:\/\/360grad.wallraf.museum\/?page_id=455"},"modified":"2021-10-04T10:24:38","modified_gmt":"2021-10-04T08:24:38","slug":"e1_02_08","status":"publish","type":"page","link":"https:\/\/360grad.wallraf.museum\/en\/e1_02_08\/","title":{"rendered":"Bildinfo OG1 Kreuz-Altar"},"content":{"rendered":"
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Cross-Altar<\/h2><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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c. 1490-1495<\/strong>\u00a0 |\u00a0MASTER OF THE SAINT BARTHOLOMEW ALTARPIECE (Active in the Netherlands, c. 1475 \u2013 1510)<\/em><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u00a9 Rheinisches Bildarchiv K\u00f6ln, rba_c00003, um 1976\/1980<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Optical Illusion<\/h3>

The central panel of this three-part altarpiece (triptych) creates the illusion of carved figures. And the painted wooden sculptures of the saints also seem to come to life! The Resurrection of Christ is anticipated as it were by this sophisticated game with the media. Moreover, the illusion continues on the outside of the wings: the everyday side in shades of grey suggests niches containing sculptures which, however, were to be envisaged as carved in unpainted stone.\nThese profound, at times humorous illusions or \u00bbtrompe-l\u2019oeil\u00ab effects permit us to assume that the work was commissioned by a discerning client with a well-trained eye. Like the St Thomas Altar, the Altarpiece of the Holy Cross was commissioned by the\nlawyer Dr. Peter Rinck, who later bequeathed this triptych to a cloister of the Carthusian Order in Cologne. He may well have viewed\nthis as the altar\u2019s ultimate location from the outset, because the inside of the right-hand wing depicts such a Carthusian cloister. The\nbackground on the inside of the left wing shows a riverscape that is meant to be the Valley of Jordan, and thus the region where John the Baptist (front left) performed his mission.\nTypical of this painter\u2019s extraordinary precision is the trilingual (Hebrew-Greek-Latin) inscription on the cross, which only shortly before was believed to have been rediscovered in Rome (in 1492). The passages of text that were destroyed through material loss to the relic have been discreetly covered over in the painting. Moreover the artist has corrected a demonstrably wrong letter in the \u00bboriginal inscription\u00ab. Since the wording on the cross was ultimately a legal document, it was clearly of great importance to Peter Rinck.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Oak wood, 107 x 80 cm (central panel), \n107 x 34 cm (wing) <\/strong><\/p>\n

Acquired 1862 with support of the Richartz-Fonds
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